206 Free Artworks of Etchings In The Cooper–hewitt

cooper hewitt, smithsonian design museum prints in the cooper–hewitt, smithsonian design museum prints of italy in the cooper–hewitt, smithsonian design museum neoclassicism giovanni battista piranesi artworks of france in the cooper–hewitt, smithsonian design museum etching print etchings by giovanni battista piranesi 1745 works etching on cream laid paper

Print, Saint Jerome, ca. 1620, Jusepe de Ribera, circa 1620

prints by josé de ribera in the cooper–hewitt, smithsonian design museum baroque

Print, Lauffenbourg on the Rhine, 1811, Thomas Hodgetts

prints in the cooper–hewitt, smithsonian design museum 1811 works

Print, Carceri, No. 9, 18th century, Giovanni Battista Piranesi

le carceri d'invenzione neoclassicism

Print, Design for Fountain with Diana, 1745, Johann Gottfried Haid

prints in the cooper–hewitt, smithsonian design museum 1745 works

Print, A Jester, ca. 1890, William Merritt Chase, circa 1890

prints by william merritt chase impressionism

Print, A New York City Farm Surrounded by Tenements, 1881, Mary Nimmo Moran

etchings of new york city 1881 etchings

Print, Saint-Francois (?) dans un paysage de ruines, 1768, published 1770, 1768, published 1770

etchings in the cooper–hewitt, smithsonian design museum jean-laurent legeay

Print, Designs for Headboards, ca. 1700, circa 1700

prints in the cooper–hewitt, smithsonian design museum daniel marot (ii)

Print, The Milk Woman, 1774, Louis-Marin Bonnet

prints in the cooper–hewitt, smithsonian design museum louis-marin bonnet

Print, Pyramide surmontée d'un vase monumental, from "Collection de divers sujets de vases, tombeaux, ruines et fontaines, utile aux artistes...", 1768, published 1770, 1768, published 1770

etchings in the cooper–hewitt, smithsonian design museum jean-laurent legeay

Print, Side View of the First Carriage (1686) of Lord Castelmaine Built in 1686 by Andrea Cornely after Ciro Ferri, 1687-1700, 1687–1700, 1687–1700

artworks of france in the cooper–hewitt, smithsonian design museum prints in the cooper–hewitt, smithsonian design museum

Print, Frontispiece, vasi invention, from "Collection de divers sujets de vases, tombeaux, ruines et fontaines, utile aux artistes...", 1768, published 1770, 1768, published 1770

prints of france in the cooper–hewitt, smithsonian design museum jean-laurent legeay

Print, Via Crucis - Station XI, Jesus is Nailed to the Cross, ca. 1749, Giovanni Domenico Tiepolo, circa 1749

prints in the cooper–hewitt, smithsonian design museum giovanni domenico tiepolo

Print, Long Venice, ca. 1885, James McNeill Whistler, circa 1885

etchings by james mcneill whistler aestheticism

Print, Tombeau monumental avec trois femmes adossées from the series "Tombeaux", 1768, published 1770, 1768, published 1770

etchings in the cooper–hewitt, smithsonian design museum jean-laurent legeay

Dedication Page to Charles III of Spain and the Two Sicilies, frontispiece for Paolantonio Paoli, Rovine della città di Pesto detta ancora Posidonia (1784), ca. 1765

collections of the cooper hewitt, smithsonian design museum rococo,baroque

Carceri Series, Plate XIV, Giovanni Battista Piranesi, 1745

collections of the cooper hewitt, smithsonian design museum neoclassicism

Print, Portrait of Adam van Noort

prints in the cooper–hewitt, smithsonian design museum portraits of adam van noort

Print, The Open Table for the Three Uppermost Classes of Men of Lower Austria, 1705, Johann Andreas Pfeffel

prints in the cooper–hewitt, smithsonian design museum 1705 works

Three Designs for Wall Sconces in the Chinese Taste, Plate 48 in One Hundred and Fifty New Designs, Thomas Johnson, 1756–57

etchings in the cooper–hewitt, smithsonian design museum thomas johnson (designer)

Print, Veduta del Tempio di Antonio e Faustina in Campo Vaccino, 1758, Giovanni Battista Piranesi

etchings by giovanni battista piranesi neoclassicism

Design for Wall Brackets, Plate 42 in One Hundred and Fifty New Designs, Thomas Johnson, 1756–57

prints in the cooper–hewitt, smithsonian design museum thomas johnson (designer)

Print, The Drawbridge, plate VII from the series Carceri d'Invenzione, 1745 (printed later), Giovanni Battista Piranesi, 1745 (printed later)

etchings by giovanni battista piranesi neoclassicism

Print, Plate V, vol. II of "Le Antichita Romane", 1756, Giovanni Battista Piranesi

etchings by giovanni battista piranesi neoclassicism

Print, The Drawbridge, plate VII from the series Carceri d'Invenzione, 1745 (printed later), Giovanni Battista Piranesi, 1745 (printed later)

etchings by giovanni battista piranesi neoclassicism

Print, The Drawbridge, plate VII from the series Carceri d'Invenzione, 1745 (printed later), Giovanni Battista Piranesi, 1745 (printed later)

etchings by giovanni battista piranesi neoclassicism

Print, Grotesque Panel, plate 6, 1647, Michel Dorigny

michel dorigny classicism

Print, Upholstered Furniture, ca. 1700, circa 1700

prints in the cooper–hewitt, smithsonian design museum daniel marot (ii)

Print, Rear View of the First Carriage of Lord Catelmaine Built in 1686 by Andrea Cornely after Ciro Ferri (1634-1689), 1687–1700, 1687–1700

artworks of france in the cooper–hewitt, smithsonian design museum prints in the cooper–hewitt, smithsonian design museum

Print, Carceri Series Plate II, 1745, Giovanni Battista Piranesi

etchings by giovanni battista piranesi neoclassicism

Bound Print, Spaccato della bottega ad uso di caffè detta degl'Inglesi situata in piazza di Spagna..., from Diverse Maniere d'adornare i cammini, 1769, Giovanni Battista Piranesi

etchings by giovanni battista piranesi neoclassicism

The Drawbridge, plate VII from the series Carceri d'Invenzione, Giovanni Battista Piranesi, 1745 -printed later

collections of the cooper hewitt, smithsonian design museum neoclassicism

Print, Corner Chimneypiece, published in "Nouvelles Chiminees Faitte en Plusier en Droits de la Hollande et Autres Provinces du Dessin de D. Marot", ca. 1700, circa 1700

prints in the cooper–hewitt, smithsonian design museum daniel marot (ii)

Print, Laban reproves Jacob for leaving secretely, 1725–45, Gérard Jean-Baptiste Scotin, 1725–45

artworks of france in the cooper–hewitt, smithsonian design museum prints in the cooper–hewitt, smithsonian design museum

Print, View of the Piazza del Popolo, Rome from series: "Vedute di Roma", v. II, 1750, Giovanni Battista Piranesi

etchings by giovanni battista piranesi neoclassicism

Le Carceri d'Invenzione, plate IX: The Giant Wheel, Giovanni Battista Piranesi, 1745

le carceri d'invenzione (first edition, 1750)neoclassicism

Ornament with the Man of Sorrows, Mary and John, Daniel Hopfer, ca. 1520

prints in the cooper–hewitt, smithsonian design museum etchings by daniel hopfer

Print, Ruins of the Mausoleum of Octavian Augustus, "Le Antichita Romane" II, 1756, 1756

prints in the cooper–hewitt, smithsonian design museum neoclassicism

Print, Porta Maggiore, 1835–39 (printed date), Giovanni Battista Piranesi

etchings by giovanni battista piranesi neoclassicism

Print, Saturn, ca. 1670, Giovanni Andrea Sirani, circa 1670

prints in the cooper–hewitt, smithsonian design museum works after giovanni andrea sirani

Print, Landscape with a Monastery, 1546, Augustin Hirschvogel

etchings by augustin hirschvogel german renaissance

Print, Via Crucis - Station XIII, The Deposition, ca. 1749, Giovanni Domenico Tiepolo, circa 1749

prints of italy in the cooper–hewitt, smithsonian design museum giovanni domenico tiepolo

Print, Carceri Series, Plate III, 1745, Giovanni Battista Piranesi

le carceri d'invenzione (first edition, 1750)neoclassicism

Print, The Vow of Jephthah, 1725–45, Gérard Jean-Baptiste Scotin, 1725–45

artworks of france in the cooper–hewitt, smithsonian design museum prints in the cooper–hewitt, smithsonian design museum

Print, The Arch of Marcus Aurelius, 1762, Giovanni Battista Piranesi

etchings by giovanni battista piranesi neoclassicism

Print, Carceri Series, Plate V, 1745, Giovanni Battista Piranesi

le carceri d'invenzione (first edition, 1750)neoclassicism

Print, Carceri Series, Plate XII, 1745, Giovanni Battista Piranesi

le carceri d'invenzione (first edition, 1750)neoclassicism

Print, Le Barbier, from Les Metiers series [The Barber, from The Trades series], 1632–35, Abraham Bosse, 1632–35

prints in the cooper–hewitt, smithsonian design museum trades (les métiers) by abraham bosse

Bound Print, Chimneypiece, from Diverse Maniere d'adornare i cammini, 1769, Giovanni Battista Piranesi

etchings by giovanni battista piranesi neoclassicism

Print, Carceri Series, Plate X, 1745, Giovanni Battista Piranesi

le carceri d'invenzione (first edition, 1750)neoclassicism

Print, A Human Skull and a Tibia Burning on an Altar, from Scherzi di Fantasia, 1757–70, 1757–70

scherzi di fantasia rococo,baroque

Print, Carceri Series, Plate VI, 1745, Giovanni Battista Piranesi

le carceri d'invenzione (first edition, 1750)neoclassicism

Print, Carceri Series, Plate XVI, 1745, Giovanni Battista Piranesi

le carceri d'invenzione (first edition, 1750)neoclassicism

Print, Title plate, from Grottesco in diversche manieren (Various Grotesques), 1555–1571, 1555–1571

artworks of france in the cooper–hewitt, smithsonian design museum prints in the cooper–hewitt, smithsonian design museum

Print, Plate 10, from set of Flowers in a Basket, ca. 1680, Jean-Baptiste Monnoyer, circa 1680

prints designed and engraved by jean-baptiste monnoyer prints in the cooper–hewitt, smithsonian design museum

Print, Trompe l'Oeil Painting, Decoration for the Staircase, De Voorst, The Netherlands, Plate from "Nouveaux livres de peintures de salles et d'Escaliers", ca. 1700, circa 1700

prints in the cooper–hewitt, smithsonian design museum daniel marot (ii)

Print, Het Loo Palace, Staircase, ca. 1700, circa 1700

prints in the cooper–hewitt, smithsonian design museum daniel marot (ii)

Bound Print, Chimneypiece, from Diverse Maniere d'adornare i cammini, 1769, Giovanni Battista Piranesi

etchings by giovanni battista piranesi neoclassicism

Print, An Oriental Peasant and his Family (Woman, Man, and Child with an Ox in a Landscape), from Scherzi di Fantasia, 1757–70, 1757–70

scherzi di fantasia rococo,baroque

Print, Chinoiserie: The Sense of, ca. 1742, Gabriel Huquier, circa 1742

gabriel huquier 1742 in art

Print, Design for Cartouche with Large and Small Compartments, 1745, Johann Gottfried Haid

prints of germany in the cooper–hewitt, smithsonian design museum 1745 works

Print, Chef des Indiens (Indian Chief), plate 8 from the series Caravanne du Sultan a la Mecque (Caravan of a Sultan Going to Mecca), 1748, Joseph-Marie Vien

prints in the cooper–hewitt, smithsonian design museum 1748 works

Screen Design: Triomphe de Pomone [Triumph of Pomona] from Nouveaux Morceaux pour des paravents [New Concepts for Screens], Charles-Nicolas Cochin, 1740

collections of the cooper hewitt, smithsonian design museum prints by charles-nicolas cochin fils

Print, Exterior, Teatro Filarmonico, Verona, 1731, Francesco Zucchi

prints in the cooper–hewitt, smithsonian design museum 1731 works

Print, Carceri Series, Plate VIII, 1745, Giovanni Battista Piranesi

le carceri d'invenzione (first edition, 1750)neoclassicism

Print, Ornamental Candelabrum, 1520, Daniel Hopfer

etchings by daniel hopfer 1520 works

Print, Rez de Chaussée (Ground Floor), Maison du Sieur Léon Brethous (Ground Floor Plan of Léon Brethous House), plate 5, from Oeuvres de Juste-Aurèle Meissonnier (Works of Juste-Aurèle Meissonnier), 1742–48, 1742–48

artworks of france in the cooper–hewitt, smithsonian design museum prints in the cooper–hewitt, smithsonian design museum

Print, Chef des Indiens (Indian Chief), plate 8 from the series Caravanne du Sultan a la Mecque (Caravan of a Sultan Going to Mecca), 1748, Joseph-Marie Vien

prints in the cooper–hewitt, smithsonian design museum 1748 works

Print, Chef des Indiens (Indian Chief), plate 8 from the series Caravanne du Sultan a la Mecque (Caravan of a Sultan Going to Mecca), 1748, Joseph-Marie Vien

prints in the cooper–hewitt, smithsonian design museum 1748 works

Print, Rez de Chaussée (Ground Floor), Maison du Sieur Léon Brethous (Ground Floor Plan of Léon Brethous House), plate 5, from Oeuvres de Juste-Aurèle Meissonnier (Works of Juste-Aurèle Meissonnier), 1742–48, 1742–48

artworks of france in the cooper–hewitt, smithsonian design museum prints in the cooper–hewitt, smithsonian design museum

Print, Wall Decoration, Plate XIII from Le loggie di Rafaele nel Vaticano (Raphael's Loggia in the Vatican), 1772–1777, Giovanni Volpato, 1772–1777

prints in the cooper–hewitt, smithsonian design museum giovanni volpato

Print, Wall Decoration, Plate XII from Le loggie di Rafaele nel Vaticano (Raphael's Loggia in the Vatican), 1772–1777, Giovanni Volpato, 1772–1777

prints in the cooper–hewitt, smithsonian design museum giovanni volpato

Print, Wall Decoration, Plate XI from Le loggie di Rafaele nel Vaticano (Raphael's Loggia in the Vatican), 1772–1777, Giovanni Volpato, 1772–1777

prints in the cooper–hewitt, smithsonian design museum giovanni volpato

Print, Landscape with Castle and Lake, ca. 1545, Augustin Hirschvogel, circa 1545

etchings by augustin hirschvogel german renaissance

Print, Design for a Book Illustration with Children Playing Music, 1745, Johann Nepomuk Maag

johann nepomuk maag 1745 works

Print, Le Retour du Baptesme (Return from the Baptism), Plate IV, from Le Mariage à la Ville (Marriage in the City), 1633, Abraham Bosse

prints in the cooper–hewitt, smithsonian design museum marriage in the city by abraham bosse

Print, Plate IV, vol. II of "Le Antichita Romane", 1756, Giovanni Battista Piranesi

etchings by giovanni battista piranesi neoclassicism

Print, Screen Design: Triomphe de Pomone [Triumph of Pomona] from Nouveaux Morceaux pour des paravents [New Concepts for Screens], 1740, Charles-Nicolas Cochin

prints in the cooper–hewitt, smithsonian design museum 1740 works

Print, Screen Design: Triomphe de Pomone [Triumph of Pomona] from Nouveaux Morceaux pour des paravents [New Concepts for Screens], 1740, Charles-Nicolas Cochin

prints in the cooper–hewitt, smithsonian design museum 1740 works

Print, The Old Man with a Monkey on a Leash, from Scherzi di Fantasia, 1757–70, 1757–70

scherzi di fantasia rococo,baroque

Print, The Serpent Burning on an Altar, from Scherzi di Fantasia, 1757–70, 1757–70

scherzi di fantasia rococo,baroque

Print, Carceri Series, Title Page, 1745, Giovanni Battista Piranesi

le carceri d'invenzione (second edition, 1761)neoclassicism

Print, Carceri Series, Plate XIV, 1745, Giovanni Battista Piranesi

le carceri d'invenzione (first edition, 1750)neoclassicism

Print, A part of the Triumph of Caesar as painted by Andrea Mantegna (1431-1506): Soldiers Carrying Trophies, ca. 1500, circa 1500

prints by andrea mantegna in the cooper–hewitt, smithsonian design museum italian renaissance

Print, Rocaille (rococo design), in Nouveaux morceaux pour des paravents (New concepts for screens), 1730s, Claude-Augustin Duflos, 1730s

artworks of france in the cooper–hewitt, smithsonian design museum prints in the cooper–hewitt, smithsonian design museum

Print, Rocaille (rococo design), in Nouveaux morceaux pour des paravents (New concepts for screens), 1730s, Claude-Augustin Duflos, 1730s

artworks of france in the cooper–hewitt, smithsonian design museum prints in the cooper–hewitt, smithsonian design museum

Print, Prestre de la Loy (The Priest of the Law), plate 9 from the series Caravanne du Sultan à la Mecque (Caravan of a Sultan Going to Mecca), 1748, Joseph-Marie Vien

prints in the cooper–hewitt, smithsonian design museum 1748 works

Print, Le Grand Seigneur (The Nobleman), plate 17 from the series Caravanne du Sultan à la Mecque (The Sultan's Caravan to Mecca), 1748, Joseph-Marie Vien

prints in the cooper–hewitt, smithsonian design museum 1748 works

Print, Le Grand Seigneur (The Nobleman), plate 17 from the series Caravanne du Sultan à la Mecque (The Sultan's Caravan to Mecca), 1748, Joseph-Marie Vien

prints in the cooper–hewitt, smithsonian design museum 1748 works

Print, Prestre de la Loy (The Priest of the Law), plate 9 from the series Caravanne du Sultan à la Mecque (Caravan of a Sultan Going to Mecca), 1748, Joseph-Marie Vien

prints in the cooper–hewitt, smithsonian design museum 1748 works

Print, Baths of Trajan, 1776 (printed date), Giovanni Battista Piranesi, 1776 (printed date)

etchings by giovanni battista piranesi neoclassicism

Print, Lafayette Theater, New York, 1827, Peter Grain

prints in the cooper–hewitt, smithsonian design museum 1827 works

Print, Plan of an imaginary ancient seat of learning, 1750, Giovanni Battista Piranesi

etchings by giovanni battista piranesi neoclassicism

Print, Transverse Section, Proscenium, and Curtain, Teatro Filarmonico, Verona, 1731, Francesco Zucchi

prints in the cooper–hewitt, smithsonian design museum 1731 works

Print, Battle of the Sea Gods, right half, ca. 1475, Andrea Mantegna, circa 1475

italian renaissance 1470s art

Book, Frontispiece, with Dedication to Robert Adam, in Il Campo Marzio dell'Antica Roma, 1762, Giovanni Battista Piranesi

etchings by giovanni battista piranesi neoclassicism

Print, Arch of Septimius Severus from "Vedute di Roma", 1759, Giovanni Battista Piranesi

etchings by giovanni battista piranesi neoclassicism

Print, Carceri Series, Plate XV, 1745, Giovanni Battista Piranesi

le carceri d'invenzione (first edition, 1750)neoclassicism

Versailles Grand Ball Decoration, 1745 - Dauphin's Wedding, Charles-Nicolas Cochin the Elder, 1756

prints of france in the cooper–hewitt, smithsonian design museum 1756 works

Print, The Catologue of the artist's work (Table of Contents of the Vedute di Roma), ca. 1779, Giovanni Battista Piranesi, circa 1779

etchings by giovanni battista piranesi neoclassicism

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